1 00:00:30,922 --> 00:00:34,966 I always tell my team:... 2 00:00:35,301 --> 00:00:38,751 "To imagine we resort to memories." 3 00:00:39,262 --> 00:00:41,385 "The key is in the memories." 4 00:00:41,472 --> 00:00:43,014 We watched TV every night,... 5 00:00:43,057 --> 00:00:45,215 and the development of this memory... 6 00:00:45,267 --> 00:00:48,184 It was a striking contrast. with our daily routine. 7 00:00:48,311 --> 00:00:50,220 The dark slopes of Mount Fuji,... 8 00:00:50,355 --> 00:00:54,434 characters from another era and the presence of Akira Kurosawa. 9 00:01:31,889 --> 00:01:35,637 October 21, 1984. Scene 40. 10 00:01:36,310 --> 00:01:40,176 An old man has divided his property among his three children. 11 00:01:40,229 --> 00:01:43,977 is unable to appreciate the loyalty of the youngest... 12 00:01:44,024 --> 00:01:47,357 and meets ingratitude of the elders. Does it sound familiar to you? 13 00:01:47,861 --> 00:01:52,237 You stare at Kurogane, who is just standing in that part. 14 00:01:53,699 --> 00:01:57,447 Then you raise your head like this and you keep walking. 15 00:01:57,744 --> 00:01:59,452 Let's try it like this. 16 00:01:59,787 --> 00:02:04,034 That's right, how you scream too much will not look good. 17 00:02:15,384 --> 00:02:16,759 I'm leaving! 18 00:02:19,053 --> 00:02:20,512 Open the doors! 19 00:02:21,055 --> 00:02:22,715 Yes, that's the idea. 20 00:02:24,766 --> 00:02:27,339 Then you walk back there. 21 00:02:31,230 --> 00:02:36,650 First take a few steps as disoriented. 22 00:02:37,068 --> 00:02:39,773 And then gasp as if surprised. 23 00:02:40,780 --> 00:02:42,938 That surprise is essential. 24 00:02:46,993 --> 00:02:48,487 Long essays;... 25 00:02:49,287 --> 00:02:52,371 Kurosawa used to force rehearsals for hours to the actors. 26 00:02:52,706 --> 00:02:55,623 And the final product of this It's a single take. 27 00:02:55,959 --> 00:02:57,951 Not a second take for security. 28 00:02:58,503 --> 00:03:01,172 Security is in the work that was going on. 29 00:03:05,842 --> 00:03:08,712 Tatsuya Nakadai represents Hidetora. 30 00:03:09,637 --> 00:03:12,424 He is King Lear and at the same time It's not King Lear. 31 00:03:13,098 --> 00:03:16,798 It's more like an echo of Lear resonating on the castle walls... 32 00:03:16,851 --> 00:03:19,805 built by Kurosawa on Mount Fuji. 33 00:03:20,229 --> 00:03:23,680 Nakadai, which represents the double hero in "Kagemusha",... 34 00:03:23,982 --> 00:03:26,140 had worked for Kurosawa 20 years ago. 35 00:03:27,235 --> 00:03:30,899 We will find other examples of continuity later. 36 00:03:52,547 --> 00:03:56,924 In the following essay, Nakadai he gets his sentences wrong twice... 37 00:03:57,552 --> 00:03:59,129 using the modern Japanese term... 38 00:03:59,178 --> 00:04:02,629 what first comes to mind instead of its poetic equivalent. 39 00:04:02,889 --> 00:04:06,969 Both times, Kurosawa corrects with great delicacy. 40 00:04:07,894 --> 00:04:11,060 As for us, facing the untranslatable,... 41 00:04:11,563 --> 00:04:13,769 we only managed to get close with our subtitle. 42 00:04:14,232 --> 00:04:20,483 Nakadai, you have to stay little by little little without energy and appear dejected. 43 00:04:22,364 --> 00:04:23,395 Ready! 44 00:04:25,825 --> 00:04:26,856 Action! 45 00:04:41,880 --> 00:04:43,339 Too long. 46 00:04:48,636 --> 00:04:49,880 I try again. 47 00:05:04,274 --> 00:05:05,816 Open the door! 48 00:05:06,734 --> 00:05:08,442 Sorry, "the doors." 49 00:05:08,902 --> 00:05:11,191 The attitude and pose are good. 50 00:05:14,699 --> 00:05:16,276 has turned around in the opposite direction. 51 00:05:16,450 --> 00:05:17,481 TRUE. 52 00:05:17,701 --> 00:05:20,536 I would have to turn towards the other side. 53 00:05:22,914 --> 00:05:26,532 Do it but looking this way. 54 00:05:29,169 --> 00:05:31,458 And I make my back straight before. 55 00:05:48,477 --> 00:05:50,019 Open the doors! 56 00:05:53,314 --> 00:05:58,106 Some have to look with disinterested Hidetora's departure. 57 00:05:58,694 --> 00:06:00,567 Stop, fix it. 58 00:06:11,413 --> 00:06:13,903 Hanawa, they are too close together. 59 00:06:24,548 --> 00:06:28,415 take a step back as far as possible. 60 00:06:45,524 --> 00:06:47,066 Of course not... 61 00:06:47,776 --> 00:06:52,603 If you come alone, father, you will be received with open arms. 62 00:06:57,784 --> 00:07:03,619 Under the protection of your son, Why would you need lackeys? 63 00:07:08,960 --> 00:07:10,335 Open the door! 64 00:07:10,628 --> 00:07:11,659 - "The doors." - The doors. 65 00:07:12,004 --> 00:07:14,376 Our work tools, In addition to filming,... 66 00:07:14,423 --> 00:07:17,838 are those precarious tapes recorded by some friends of Kurosawa... 67 00:07:17,926 --> 00:07:20,796 that provide us with pieces of conversations;... 68 00:07:21,179 --> 00:07:24,713 images of "Ran", the film, still motionless;... 69 00:07:25,641 --> 00:07:29,554 and finally, that small and ideal miracle, known as "video"... 70 00:07:29,936 --> 00:07:34,015 in which we saw the old Kurosawa films over and over again. 71 00:08:54,881 --> 00:08:56,340 So yes it was mine. 72 00:09:10,603 --> 00:09:13,307 Make sure how many there are per group. 73 00:09:22,613 --> 00:09:24,486 Who doesn't have armor? 74 00:09:43,880 --> 00:09:45,588 I'll tie it in front. 75 00:09:47,216 --> 00:09:48,675 Leave it out. 76 00:09:53,597 --> 00:09:55,470 And also by the neck. 77 00:10:01,186 --> 00:10:03,594 Has Saito gone to the car? 78 00:10:42,679 --> 00:10:45,252 Silly! Sorry. 79 00:10:46,307 --> 00:10:49,261 In this type of filming, the first danger to avoid... 80 00:10:49,310 --> 00:10:51,979 is appropriating a beauty that does not belong to us:... 81 00:10:52,020 --> 00:10:54,309 exaggerate the beautiful backlit image. 82 00:10:54,439 --> 00:10:58,187 Of course part of that beauty borrowed will survive anyway. 83 00:10:58,275 --> 00:11:01,192 But we will try to show what we see as we see it,... 84 00:11:01,445 --> 00:11:03,402 from the horizon line. 85 00:11:04,572 --> 00:11:08,521 Don't make me laugh, It's hard for me to put my guts in. 86 00:12:40,485 --> 00:12:42,561 Is that hair real? 87 00:12:45,197 --> 00:12:47,486 From here it looks brown. 88 00:12:52,995 --> 00:12:56,115 I wear this wig like this... 89 00:12:58,417 --> 00:13:00,492 because I have long hair. 90 00:13:05,923 --> 00:13:09,457 This here is yours, but the rest is false. 91 00:13:10,302 --> 00:13:12,258 The hairpiece is here. 92 00:13:13,679 --> 00:13:16,799 What should not be noticed This is where the hairpiece begins. 93 00:13:18,850 --> 00:13:21,341 - Yes, you can see it. - What's up! 94 00:13:21,769 --> 00:13:23,228 And the eyebrows? 95 00:13:24,188 --> 00:13:25,433 Those are mine. 96 00:13:28,984 --> 00:13:30,015 The frown too? 97 00:13:39,534 --> 00:13:44,907 November 1, 1984, 10 a.m. Scene 62. 98 00:13:47,082 --> 00:13:49,573 Hidetora's soldiers, the eldest son... 99 00:13:49,626 --> 00:13:51,784 with its yellow flag of a single strip,... 100 00:13:52,295 --> 00:13:55,129 must meet at the doors of the third castle:... 101 00:13:55,381 --> 00:13:57,289 that of the youngest son. 102 00:14:01,636 --> 00:14:06,593 The infantry and cavalry will be deployed along the dark slopes of Mount Fuji. 103 00:14:12,520 --> 00:14:16,303 The sky is cloudy, as required by the shooting script. 104 00:14:21,027 --> 00:14:24,063 A faint fog covers the land at ground level. 105 00:14:24,822 --> 00:14:26,944 We are not aware yet that here... 106 00:14:27,365 --> 00:14:29,903 time can change from one moment to the next. 107 00:14:44,755 --> 00:14:46,830 Where am I taking them? 108 00:15:06,439 --> 00:15:09,274 Everyone pay attention to the instructions. 109 00:15:14,363 --> 00:15:18,940 We had not told you, but as you walk... 110 00:15:19,575 --> 00:15:23,110 take the spears with the left hand. 111 00:15:23,662 --> 00:15:27,825 And then you lower your right hand about ten centimeters. 112 00:15:30,001 --> 00:15:32,918 If you carry it on your shoulder, Hold it well with your left hand. 113 00:15:33,629 --> 00:15:36,629 Hold it well with your left hand if you carry it on your right shoulder. 114 00:15:36,881 --> 00:15:40,629 Thus the tip of the lasso will be at the correct height. 115 00:15:41,051 --> 00:15:44,586 Make sure that all They point at the same angle. 116 00:15:45,305 --> 00:15:49,800 Look at your companions and align it with respect to his. 117 00:15:50,142 --> 00:15:53,345 And now take the spear with the left hand. 118 00:17:12,377 --> 00:17:14,037 Do it like this. 119 00:17:15,922 --> 00:17:17,464 Following this journey. 120 00:17:20,300 --> 00:17:22,458 In a straight line there? 121 00:17:36,147 --> 00:17:38,223 View to the right! 122 00:17:43,028 --> 00:17:45,732 Now let's march carrying the spears. 123 00:17:52,827 --> 00:17:54,072 Have you noticed how they are? 124 00:17:55,163 --> 00:17:57,119 How they are placed. 125 00:18:03,586 --> 00:18:05,294 Kurosawa distributes orders. 126 00:18:05,338 --> 00:18:08,124 From "The Seven Samurai" He is used to filming... 127 00:18:08,173 --> 00:18:10,213 all important scenes with three cameras. 128 00:18:10,300 --> 00:18:13,882 What it means three different angles to master,... 129 00:18:13,928 --> 00:18:17,297 and three times more likely to stumble into the frame. 130 00:18:17,765 --> 00:18:21,762 Every day, we see Kurosawa fighting the imps... 131 00:18:21,810 --> 00:18:23,553 that torment To any director:... 132 00:18:23,645 --> 00:18:25,352 the actor who takes the wrong tone... 133 00:18:25,438 --> 00:18:28,355 the horse that stumbles, the wind that gets up when it doesn't play... 134 00:18:28,649 --> 00:18:31,139 the sun that hides during rehearsals,... 135 00:18:31,568 --> 00:18:34,936 peeking out from behind the mist as soon as you start rolling. 136 00:18:44,036 --> 00:18:56,455 THE BATTLE 137 00:18:57,131 --> 00:18:59,206 We should sign peace! 138 00:18:59,549 --> 00:19:02,752 Too sharp. try make your voice deeper. 139 00:19:04,053 --> 00:19:07,386 A voice that is too high It doesn't sound dignified. 140 00:19:10,308 --> 00:19:14,175 Now we will get to the end of the sequence. 141 00:19:24,362 --> 00:19:25,737 I'm already old and it shows. 142 00:19:26,447 --> 00:19:29,780 Although I had never had a filming as exhausting as this one. 143 00:19:31,242 --> 00:19:36,449 It was getting harder and harder as we approached the end. 144 00:19:36,997 --> 00:19:41,160 For example, climbing slopes of soft soil from Mount Fuji... 145 00:19:41,668 --> 00:19:47,622 it became more and more difficult up as you ascended. 146 00:19:49,382 --> 00:19:51,090 Also, up there... 147 00:19:51,593 --> 00:19:54,297 atmospheric pressure It was very different. 148 00:19:54,595 --> 00:19:58,129 It was very difficult to listen to people. 149 00:19:58,765 --> 00:20:03,557 When you got off, it was like getting off the plane: the ears were unclogged. 150 00:20:08,148 --> 00:20:10,817 I had to walk beautifully. 151 00:20:45,262 --> 00:20:47,800 When adding cement to the dark land of Mount Fuji... 152 00:20:47,847 --> 00:20:51,298 so that the horses' hooves can raise clouds of dust,... 153 00:20:51,559 --> 00:20:53,635 the assistant director and the filming secretary... 154 00:20:53,686 --> 00:20:56,556 they get to work with enthusiasm. 155 00:20:57,105 --> 00:20:58,433 It's like everyone,... 156 00:20:58,690 --> 00:21:01,643 no matter how high his professional qualities... 157 00:21:02,068 --> 00:21:04,736 contemplate the film as a whole, as a collective effort... 158 00:21:04,778 --> 00:21:08,443 where they do not differ noble or menial tasks. 159 00:21:09,449 --> 00:21:12,899 We saw, for example, the first assistant of Kurosawa with makeup. 160 00:21:13,118 --> 00:21:16,736 The electrician chief cutting the grass side by side with the artistic director. 161 00:21:16,872 --> 00:21:19,113 The clapperboard man rehearsing the doubles. 162 00:21:19,249 --> 00:21:21,122 Something out of the ordinary. 163 00:21:22,710 --> 00:21:24,369 From the right? 164 00:21:30,383 --> 00:21:32,090 Speak louder! 165 00:21:33,218 --> 00:21:36,551 Bring them here and then go that way. 166 00:21:40,099 --> 00:21:41,890 What are you doing there? 167 00:21:42,518 --> 00:21:44,806 Line up and form four rows. 168 00:21:46,855 --> 00:21:49,772 What are you doing? Don't just stand there. 169 00:21:57,113 --> 00:22:00,564 You weren't going downtown? Well, put yourself there. 170 00:23:21,850 --> 00:23:24,554 We're almost there. Wait a moment. 171 00:23:26,938 --> 00:23:29,642 We're almost there. Wait a moment. 172 00:23:36,195 --> 00:23:43,609 PATIENCE 173 00:24:19,481 --> 00:24:23,348 And then, of course, when everything was ready the wind died down. 174 00:24:30,032 --> 00:24:32,522 Are the banners flying yet? Has the wind picked up? 175 00:24:32,951 --> 00:24:34,908 We're still waiting! 176 00:24:38,372 --> 00:24:40,163 I see. It's not blowing yet. 177 00:24:40,874 --> 00:24:42,582 - Are they waving already? - Yes 178 00:24:44,293 --> 00:24:45,325 Ready! 179 00:24:47,338 --> 00:24:48,369 Action! 180 00:24:49,298 --> 00:24:51,586 Open the doors! 181 00:24:51,758 --> 00:25:05,802 FlDEllITY 182 00:25:06,520 --> 00:25:09,521 - No, come a little closer. - A little more. 183 00:25:09,856 --> 00:25:11,101 Oto! 184 00:25:11,316 --> 00:25:13,474 Approach this wall here. 185 00:25:13,735 --> 00:25:15,976 There are many young faces on the team. 186 00:25:16,445 --> 00:25:18,687 But most of the collaborators most important of Kurosawa... 187 00:25:18,739 --> 00:25:22,072 have already appeared in the credits of a dozen of his films. 188 00:25:23,117 --> 00:25:25,904 Shiro Honda, creator of Godzilla,... 189 00:25:26,287 --> 00:25:30,035 He was assistant director to the time Kurosawa in the 40s. 190 00:25:30,498 --> 00:25:33,415 Asakazu Nakai was in charge of photography in "The Seven Samur�is",... 191 00:25:33,584 --> 00:25:35,577 "The Throne of Blood" and "Kagemusha." 192 00:25:35,711 --> 00:25:37,585 just like Takao Saito. 193 00:25:38,255 --> 00:25:42,122 They are the only ones who know how to dominate the three-chamber scheme. 194 00:25:43,384 --> 00:25:46,883 Yoshiro Muraki has designed all the sets of the film. 195 00:25:47,513 --> 00:25:51,806 He filled the medicine cabinet drawers with real drugs in "Barbarossa",... 196 00:25:52,016 --> 00:25:54,222 although the drawers were never opened. 197 00:25:54,560 --> 00:25:57,430 The sound manager of the fortress hidden and the great depths. 198 00:25:57,479 --> 00:26:00,764 "Dodes ka den", Fumio Yanoguchi. 199 00:26:01,566 --> 00:26:06,144 Takeharu Sano, head of electrical, She's been with him only since "Kagemusha",... 200 00:26:06,236 --> 00:26:10,186 but belongs to the trusted group that surrounds Kurosawa. 201 00:26:12,825 --> 00:26:17,736 There are seven of them, like the Samuris, the seventh is Teruyo Nogami,... 202 00:26:18,163 --> 00:26:20,867 present both on the set like in the editing room. 203 00:26:21,124 --> 00:26:22,915 He is the one who has been by his side the longest. 204 00:26:23,000 --> 00:26:25,705 She started as a filming secretary in "Rashomon". 205 00:26:48,063 --> 00:26:52,190 Fumisake Okada was already first assistant director on "Kagemusha". 206 00:26:53,109 --> 00:26:55,813 Very good. Now he takes it from that position. 207 00:27:03,200 --> 00:27:05,074 Now a shot with the horses. 208 00:27:05,702 --> 00:27:07,860 Let's take a shot with the horses. 209 00:27:08,913 --> 00:27:10,538 We think those are the eyes... 210 00:27:10,581 --> 00:27:14,032 who saw Mifune shot down to crushes in "The Throne of Blood",... 211 00:27:14,335 --> 00:27:17,335 or young Nakadai stabbed in "San Juro". 212 00:27:17,879 --> 00:27:21,248 During those years we recorded the short song "Dodes ka den",... 213 00:27:21,841 --> 00:27:24,331 and at that same moment, while we edit the film,... 214 00:27:24,426 --> 00:27:26,632 we found out that Yanoguchi is dead. 215 00:27:28,013 --> 00:27:30,420 We remember how cheerful and sweet he was. 216 00:27:30,723 --> 00:27:34,056 The extremely elegant with his skinny old feline style. 217 00:27:34,393 --> 00:27:38,093 These last images of his work They are dedicated to him. 218 00:27:57,078 --> 00:27:58,952 It's good. 219 00:28:19,722 --> 00:28:21,264 Every day we got to know each other better,... 220 00:28:21,307 --> 00:28:24,889 that little solar system that gravitated around Kurosawa. 221 00:28:25,560 --> 00:28:29,806 Hiskok, the companion who made the weather forecast every morning,... 222 00:28:30,564 --> 00:28:33,055 Vittorio, the Italian assistant,... 223 00:28:33,317 --> 00:28:36,151 that by nature ran at 16 frames per second,... 224 00:28:36,986 --> 00:28:39,062 a guest producer,... 225 00:28:39,197 --> 00:28:43,146 and several characters, who, without realize at the beginning,... 226 00:28:43,200 --> 00:28:47,576 they were going to play a symbolic role in our history: horses. 227 00:29:11,348 --> 00:29:14,467 And at the center of that system, Sensei. 228 00:29:15,477 --> 00:29:19,639 We also got into the habit to call him Sensei, "teacher". 229 00:29:20,147 --> 00:29:23,101 In all disciplines, from floral decoration to karate,... 230 00:29:23,567 --> 00:29:26,935 Sensei is anyone who, After reaching the perfection of the technique,... 231 00:29:27,028 --> 00:29:29,732 has achieved a kind of spiritual advantage. 232 00:29:30,114 --> 00:29:32,735 The respect that surrounds and protect Kurosawa... 233 00:29:32,783 --> 00:29:34,111 it has nothing to do with the regime of terror... 234 00:29:34,159 --> 00:29:36,828 that some directors minors impose on the set. 235 00:29:36,911 --> 00:29:39,117 just like the great teachers swordsmen of the past,... 236 00:29:39,163 --> 00:29:41,488 Sensei doesn't have time to meditate. 237 00:29:41,707 --> 00:29:45,241 When he talks about his work, reflect on real experiences. 238 00:29:45,460 --> 00:29:47,701 When you ask him why he did one thing and not another, he answers:... 239 00:29:47,920 --> 00:29:50,625 "I have done it this way because "I wanted it to be like that." 240 00:29:51,340 --> 00:29:54,542 We're going to take a break until 3. 241 00:29:56,427 --> 00:29:58,716 The set could have arrived until there. 242 00:30:02,182 --> 00:30:05,800 One moment, please. Let the spearmen gather. 243 00:30:06,060 --> 00:30:08,633 I wonder how it would have turned out. 244 00:30:25,535 --> 00:30:28,286 It would have been preferable to have mounted the decoration in that part. 245 00:30:29,079 --> 00:30:32,613 Let's try something risky... 246 00:30:33,792 --> 00:30:35,867 and reframe it with this one. 247 00:30:38,379 --> 00:30:40,252 Can you trim it? 248 00:30:41,882 --> 00:30:45,215 Well, the image is upside down. 249 00:30:44,723 --> 00:30:47,402 It will be good since only the roof comes out. 250 00:30:52,223 --> 00:30:55,140 Take the shot as soon as the sun comes up. 251 00:30:55,560 --> 00:30:57,101 Subject. Thank you. 252 00:31:19,705 --> 00:31:26,620 SPEED 253 00:31:31,339 --> 00:31:33,664 But, the most impressive It's speed... 254 00:31:33,841 --> 00:31:36,593 and the relative simplicity of the tools. 255 00:31:36,802 --> 00:31:39,044 Inside the triangle of the three castles,... 256 00:31:39,096 --> 00:31:40,506 the team goes from one place to another... 257 00:31:40,555 --> 00:31:43,472 install, dismantle and move the equipment. 258 00:31:43,766 --> 00:31:45,723 Sensei rolls seven battles... 259 00:31:45,768 --> 00:31:49,017 in the time that someone else would use to prepare a game of poker. 260 00:31:49,396 --> 00:31:52,231 Although each of these professionals had a double. 261 00:31:52,273 --> 00:31:53,981 High-speed "Kagemusha". 262 00:32:22,924 --> 00:32:24,715 Stand there. Well? 263 00:32:24,884 --> 00:32:25,915 I think so. 264 00:32:26,677 --> 00:32:28,965 It seems good to me. 265 00:32:33,557 --> 00:32:35,846 You come in... 266 00:32:36,185 --> 00:32:38,889 you look and then you shoot. 267 00:32:53,908 --> 00:32:56,363 They are filming a scene in which the second son of Hidetora... 268 00:32:56,410 --> 00:32:59,161 deposes the vassals who had joined their cause... 269 00:32:59,204 --> 00:33:01,030 after betraying his brother... 270 00:33:01,164 --> 00:33:04,532 for the simple fact that a man who has already betrayed,... 271 00:33:04,708 --> 00:33:06,582 can do it again. 272 00:33:06,752 --> 00:33:08,910 Sensei seems to be in a very good mood. 273 00:33:10,129 --> 00:33:11,410 But it won't last. 274 00:33:12,423 --> 00:33:14,083 - In line no. - Sorry. 275 00:33:14,633 --> 00:33:15,748 We repeat. 276 00:33:16,718 --> 00:33:20,051 Stop, don't be left behind behind your companions. 277 00:33:22,848 --> 00:33:26,715 Don't get in line. You two will go on horseback. 278 00:33:28,603 --> 00:33:30,394 One on each side. 279 00:33:30,897 --> 00:33:33,731 Calm down, lkoma. 280 00:33:34,441 --> 00:33:35,686 Not like that, man. 281 00:33:35,901 --> 00:33:38,818 The horse does not respond to you because you are not focused. 282 00:33:38,987 --> 00:33:41,062 Everyone to your positions! 283 00:33:45,450 --> 00:33:46,909 To their positions. 284 00:33:51,414 --> 00:33:53,489 To your posts, I said. 285 00:33:56,543 --> 00:34:00,919 Look carefully behind your back. Not there, to the camera. 286 00:34:04,466 --> 00:34:07,585 Don't be nervous for going on horseback. 287 00:34:08,094 --> 00:34:10,799 The horse notices it and also he gets nervous. 288 00:34:13,223 --> 00:34:15,512 You be calm. 289 00:34:25,525 --> 00:34:27,814 I have a special bond with the horses. 290 00:34:28,236 --> 00:34:30,193 I guess because I like them. 291 00:34:30,863 --> 00:34:33,567 In "The Horse", by Kajiro Yamamoto, movie I worked on,... 292 00:34:36,368 --> 00:34:39,072 the horse was practically the protagonist. 293 00:35:25,950 --> 00:35:36,911 HORSES 294 00:35:39,656 --> 00:35:42,573 What is not filmed is usually the most beautiful thing about the shoot. 295 00:35:44,452 --> 00:35:49,244 It's still night when we leave from the hotel in the morning. 296 00:35:50,082 --> 00:35:55,704 We climb Fuji by car winding down the road... 297 00:35:56,254 --> 00:35:59,788 between the fog and the faint light of dawn. 298 00:36:00,299 --> 00:36:05,921 The horses are taken out and they go to look for the armor in the warehouse. 299 00:36:06,345 --> 00:36:09,678 That's when they put it on to the protagonist horses. 300 00:36:13,017 --> 00:36:15,306 I already know what I have to do. 301 00:36:15,937 --> 00:36:18,225 Come on, calm down. 302 00:36:25,528 --> 00:36:26,559 Good boy. 303 00:36:29,489 --> 00:36:34,151 When we arrived at the filming set, the bonfires are on fire. 304 00:36:35,328 --> 00:36:37,201 And the actors dressed of warriors... 305 00:36:37,621 --> 00:36:39,080 They are heated by fire. 306 00:36:39,706 --> 00:36:41,165 A great image. 307 00:36:43,251 --> 00:36:46,251 Walking upright in open field. 308 00:36:46,545 --> 00:36:51,123 The vision is spectacular, but it is not usually filmed. 309 00:37:12,233 --> 00:37:13,478 Clumsy... 310 00:37:17,446 --> 00:37:18,904 I'm already up. 311 00:37:42,425 --> 00:37:46,256 Many horses have passed for Kurosawa's life from his childhood. 312 00:38:05,986 --> 00:38:08,903 Horseback riding is frequent in his movies. 313 00:38:09,447 --> 00:38:12,780 �But it's really a coincidence that when Macbeth Mifune... 314 00:38:12,825 --> 00:38:16,869 he gets carried away by homicidal ideas, encouraged by his wife,... 315 00:38:17,245 --> 00:38:19,487 a white horse I walked around nervously... 316 00:38:19,539 --> 00:38:21,330 behind him in the yard? 317 00:38:21,416 --> 00:38:23,491 It's just a coincidence that in "Kagemusha",... 318 00:38:24,084 --> 00:38:28,413 be a horse who discovers two times at the imposter by throwing him to the ground? 319 00:38:28,964 --> 00:38:32,083 In fact, it is the imposter who does not can avoid provoking the horse... 320 00:38:32,133 --> 00:38:35,382 and exposes himself to a painful real experience. 321 00:38:35,886 --> 00:38:37,925 And when the sentence is announced,... 322 00:38:38,054 --> 00:38:41,423 the snitch horse appears like a black demon in the background. 323 00:38:41,474 --> 00:38:44,973 An image of horses and rain that we will find again. 324 00:39:00,948 --> 00:39:03,653 When John Ford He met Kurosawa, he told him:... 325 00:39:03,993 --> 00:39:05,736 "You really love the rain." 326 00:39:06,078 --> 00:39:09,660 Sensei replied: "Really "You have watched my movies." 327 00:39:15,127 --> 00:39:21,164 RAIN 328 00:39:57,871 --> 00:40:00,326 November 16, 10 a.m. 329 00:40:00,456 --> 00:40:03,492 We wonder if Sensei I still like the rain so much. 330 00:40:03,792 --> 00:40:05,998 It has already delayed filming for two days. 331 00:40:06,920 --> 00:40:10,964 Despite the rain, Toru Takemitsu has come to see the new place. 332 00:40:11,799 --> 00:40:15,463 He will compose the music for "Ran", from the beginning of the movie... 333 00:40:15,802 --> 00:40:18,921 have you been listening to bits of his first string quartet. 334 00:40:19,847 --> 00:40:22,385 It is the first time he sees the castle. 335 00:41:26,486 --> 00:41:34,065 LACQUER AND GOLD 336 00:41:45,627 --> 00:41:50,916 "Makie" is a traditional technique to apply gold on dark lacquer. 337 00:41:52,090 --> 00:41:55,624 Kurosawa wanted a night scene that suggested the same sensation. 338 00:41:56,094 --> 00:42:00,671 And you have decided to achieve this painting some fields gold. 339 00:42:02,307 --> 00:42:05,841 The entire team becomes in a group of happy reapers. 340 00:42:06,561 --> 00:42:08,600 It looks like a Soviet movie from the 60s. 341 00:42:12,482 --> 00:42:15,317 We'll finish right away We continue at this pace. 342 00:42:24,367 --> 00:42:25,398 It's okay now. 343 00:42:26,035 --> 00:42:27,695 That's enough! 344 00:42:44,592 --> 00:42:49,004 Cut them at the base if there are any good leaves at the bottom. 345 00:42:50,222 --> 00:42:51,680 This sheet looks good. 346 00:42:51,890 --> 00:42:54,178 Don't split the ends. 347 00:43:17,369 --> 00:43:20,903 Surrounded by wild branches, Sensei meditates. 348 00:43:21,664 --> 00:43:26,242 Wait until it's finished to go see it with your own eyes. 349 00:43:26,627 --> 00:43:28,418 Everything for later ask for longer ones... 350 00:43:28,503 --> 00:43:31,706 and draw again and meditate among the wild branches. 351 00:43:31,923 --> 00:43:33,832 And again to the camera. 352 00:43:34,300 --> 00:43:37,217 It's noon and at 6 p.m. it gets dark 353 00:45:01,247 --> 00:45:03,535 Sensei has drawn a moon for this scene. 354 00:45:04,083 --> 00:45:07,451 But it is a moon whose shape has not been seen since M�li�s. 355 00:45:22,640 --> 00:45:23,671 Ready. 356 00:45:31,230 --> 00:45:33,899 At 8 p.m. everything is ready for the first shot. 357 00:45:34,108 --> 00:45:35,483 To your positions! 358 00:45:39,112 --> 00:45:40,226 Ready! 359 00:45:45,450 --> 00:45:46,695 Action! 360 00:46:02,131 --> 00:46:03,673 Light the torches! 361 00:46:06,843 --> 00:46:08,503 It's been good. 362 00:46:10,054 --> 00:46:11,334 Thank you, Luna! 363 00:46:12,181 --> 00:46:14,173 "Thank you, Luna," Sensei said. 364 00:46:14,433 --> 00:46:16,591 It's 10 p.m. They are ending. 365 00:46:17,310 --> 00:46:19,931 Kurosawa gives instructions for filming the next day. 366 00:46:20,896 --> 00:46:23,648 He has been directing the operations from 10 a.m. 367 00:46:24,858 --> 00:46:27,349 During assembly This scene will be cut. 368 00:46:36,534 --> 00:46:40,234 On September 1, 1923, A violent earthquake shakes... 369 00:46:40,287 --> 00:46:43,987 the entire coast of Japan from Yokohama to Tokyo. 370 00:46:44,875 --> 00:46:48,575 After the coup, there was a great fire and a night of horror... 371 00:46:48,628 --> 00:46:51,628 that marks a milestone in history of human stupidity. 372 00:46:52,006 --> 00:46:54,543 Some Tokyoites massacred to hundreds of Koreans... 373 00:46:54,674 --> 00:46:56,418 blaming them for the earthquake. 374 00:46:57,510 --> 00:47:01,590 The next day, a 13-year-old boy named Akira Kurosawa... 375 00:47:01,639 --> 00:47:04,473 He went with his brothers to the ruins of the city. 376 00:47:04,891 --> 00:47:09,932 I wanted to close my eyes to the pile of bodies floating in the Sumida River. 377 00:47:10,980 --> 00:47:13,766 But his brother told him to keep his eyes open. 378 00:47:14,316 --> 00:47:18,562 Kurosawa tells this in his autobiography quoting his brother:... 379 00:47:19,570 --> 00:47:23,484 "If you close your eyes before an image terrifying, you end up living in fear,... 380 00:47:24,282 --> 00:47:28,231 If you look at everything directly, "You have nothing to fear." 381 00:47:50,095 --> 00:47:51,922 November 9, 1984. 382 00:47:52,806 --> 00:47:55,759 Almost 60 years after its first encounter with horror,... 383 00:47:56,392 --> 00:48:00,224 Sensei, once again, faces to human cruelty in a film. 384 00:48:01,313 --> 00:48:04,931 Let's do a test. I need another one. 385 00:48:19,453 --> 00:48:22,821 He doesn't like people to emphasize That part of your job... 386 00:48:22,998 --> 00:48:25,535 when they accuse him of being obsessed with violence. 387 00:48:25,833 --> 00:48:30,293 Consider those scenes problems technicalities to solve. 388 00:48:52,605 --> 00:48:56,223 Think about how it should fall. 389 00:49:01,571 --> 00:49:03,362 Let's get this one off your chest. 390 00:49:06,158 --> 00:49:07,403 What's wrong with my back? 391 00:49:09,077 --> 00:49:10,536 We already took care of her. 392 00:49:12,122 --> 00:49:14,410 Let the smoke float in the frame. 393 00:49:15,958 --> 00:49:17,915 This part up here It's the one that has to come out. 394 00:49:18,252 --> 00:49:20,410 Move to the right! 395 00:49:30,137 --> 00:49:33,054 Look, the smoke stays at the base. 396 00:49:33,473 --> 00:49:34,504 Naka! 397 00:49:45,566 --> 00:49:47,025 You already know where you have to let out the smoke. 398 00:49:47,651 --> 00:49:48,682 No, not like that either. 399 00:49:59,744 --> 00:50:02,152 Not like that. Think a little before. 400 00:50:02,455 --> 00:50:06,618 The fog passes between the camera and the object being filmed. 401 00:50:07,042 --> 00:50:09,533 You have to let out the smoke between both. 402 00:50:15,174 --> 00:50:19,041 I hate bloodshed. 403 00:50:19,761 --> 00:50:23,924 When I was filming "The Idiot", I think it was Masayuki Mori... 404 00:50:24,140 --> 00:50:27,923 the one who told me it scared me the violence. 405 00:50:29,102 --> 00:50:32,305 Said: "It seems to scare you see the blood." 406 00:50:33,189 --> 00:50:36,640 "You obviously don't like him." 407 00:50:38,235 --> 00:50:41,235 It was true, and I asked him why. 408 00:50:41,446 --> 00:50:44,779 He told me it was because he remembered and he gave it too much thought. 409 00:50:45,949 --> 00:50:48,440 Maybe my memories and look without blinking... 410 00:50:48,702 --> 00:50:50,860 It was what scared me. 411 00:50:51,454 --> 00:50:54,988 Or maybe it's fear which blocks my gaze. 412 00:50:56,250 --> 00:50:59,867 Either way, I think I'm capable... 413 00:51:00,503 --> 00:51:03,622 to portray violence with intensity in my films. 414 00:51:05,090 --> 00:51:09,039 I couldn't say why, but I don't like violence. 415 00:51:10,511 --> 00:51:17,842 FIRE 416 00:51:25,732 --> 00:51:27,606 It's going to be a close-up. 417 00:51:28,026 --> 00:51:29,485 Don't cut yourself. 418 00:51:30,653 --> 00:51:32,444 Don't look at the camera. 419 00:51:32,613 --> 00:51:35,530 The others do not have close-ups, so take advantage of the situation. 420 00:51:36,074 --> 00:51:37,948 Do you know what my name is? 421 00:51:39,994 --> 00:51:41,536 Maybe you should write it somewhere. 422 00:51:44,623 --> 00:51:51,538 UNKNOWN WARRIOR ON MOUNT FUJl 423 00:51:52,546 --> 00:51:55,251 - You have to get further forward. - Sato, forward. 424 00:51:56,508 --> 00:52:00,671 Stand here, you don't come out on this plane. 425 00:52:03,097 --> 00:52:04,211 Don't crowd around. 426 00:52:04,515 --> 00:52:07,088 No, not like that. Where are you supposed to come from? 427 00:52:11,729 --> 00:52:14,433 you have to come further to the left. 428 00:52:21,320 --> 00:52:23,811 Continue along the side to prepare. 429 00:52:24,573 --> 00:52:27,490 Continue on the side, Yoneda. Come this way. 430 00:52:30,828 --> 00:52:33,532 It's costing too much. We can't roll. 431 00:52:34,665 --> 00:52:36,621 You don't see anything. 432 00:52:38,626 --> 00:52:39,657 Ready! 433 00:52:41,962 --> 00:52:42,993 Action! 434 00:52:52,596 --> 00:52:53,627 Cut. 435 00:52:54,348 --> 00:52:59,554 - lzaki, there is no point in falling here. - But you got the idea. 436 00:53:10,736 --> 00:53:11,767 Ready! 437 00:53:13,030 --> 00:53:14,061 Action! 438 00:53:23,121 --> 00:53:24,152 Cut! 439 00:53:24,789 --> 00:53:27,280 Nothing, not yet. They haven't understood it. 440 00:53:29,043 --> 00:53:30,074 Very good. 441 00:53:31,045 --> 00:53:32,076 Bring the incendiary arrows. 442 00:53:32,504 --> 00:53:33,963 Hama, the incendiary arrows. 443 00:53:51,687 --> 00:53:52,718 Fire! 444 00:54:00,361 --> 00:54:02,234 The other end is not going to burn. 445 00:54:13,079 --> 00:54:14,111 Attention! 446 00:54:20,169 --> 00:54:21,200 Better that way? 447 00:54:21,628 --> 00:54:23,336 A little more here. 448 00:54:27,466 --> 00:54:29,957 I can't rewind it any faster. 449 00:54:30,386 --> 00:54:32,958 You won't be able to keep up if you keep running. 450 00:54:37,225 --> 00:54:43,262 Only someone who knows about fishing know this knot. 451 00:54:43,938 --> 00:54:46,773 We are ready to continue! 452 00:54:47,066 --> 00:54:48,311 Ready! 453 00:54:49,985 --> 00:54:51,016 Ready! 454 00:54:53,321 --> 00:54:54,352 Action! 455 00:55:04,205 --> 00:55:07,574 The lunch break gives us heat as well as food. 456 00:55:07,958 --> 00:55:09,785 A bowl of hot soup,... 457 00:55:09,918 --> 00:55:12,954 rice and dumplings lined up carefully in a lunch box,... 458 00:55:13,004 --> 00:55:15,162 like a box of markers. 459 00:55:16,799 --> 00:55:20,049 It's getting colder and colder on the dark slopes of Mount Fuji. 460 00:55:21,011 --> 00:55:23,797 Something that is never seen in the three planes of Sensei,... 461 00:55:24,472 --> 00:55:26,927 but whose presence increasingly threatening. 462 00:55:27,099 --> 00:55:29,056 Snow thickness has doubled since yesterday. 463 00:55:29,101 --> 00:55:33,050 And you all know that if it starts to snow, filming will have to stop. 464 00:55:33,980 --> 00:55:37,562 The fight against time becomes in one of Kurosawa's battles. 465 00:55:37,816 --> 00:55:40,770 But for now, every misty day It is an obstacle for the film. 466 00:56:49,668 --> 00:56:51,743 The truth is that when changing of clothes... 467 00:56:52,670 --> 00:56:54,746 It doesn't seem like it's that cold. 468 00:56:59,342 --> 00:57:00,587 The 1 p.m. 469 00:57:00,969 --> 00:57:03,459 It has been announced that filming is going to stop. 470 00:57:04,013 --> 00:57:06,586 The extras get dressed in a hurry in the icy wind. 471 00:57:08,558 --> 00:57:10,467 The mountain is shrouded in fog. 472 00:57:10,935 --> 00:57:13,011 The archer can no longer see the tips of their arrows. 473 00:57:13,062 --> 00:57:15,054 Nothing can be done. 474 00:57:15,939 --> 00:57:18,430 The horses rise again to their trailers. 475 00:57:19,901 --> 00:57:22,392 They came from the USA last spring. 476 00:57:22,737 --> 00:57:25,488 They suffered extreme heat in Kyushu last summer. 477 00:57:25,948 --> 00:57:29,032 They heroically overcame fields of lush foliage,... 478 00:57:29,743 --> 00:57:31,818 before finishing in this lunar landscape. 479 00:57:50,927 --> 00:57:53,252 We contemplate this polar base already deserted. 480 00:57:54,221 --> 00:57:57,305 In half an hour we already have the piled armor,... 481 00:57:57,390 --> 00:58:00,142 the packed arrows and the spears tied in bundles. 482 00:58:01,602 --> 00:58:04,057 Production cars and a bus of extras leaves... 483 00:58:04,104 --> 00:58:05,931 as in a military procession. 484 00:58:06,273 --> 00:58:07,897 An orderly withdrawal. 485 00:58:08,817 --> 00:58:10,809 The fog has defeated the day. 486 00:58:16,823 --> 00:58:28,661 NlEBLA 487 00:58:30,585 --> 00:58:31,664 The next few days,... 488 00:58:31,711 --> 00:58:35,458 the battle between the film and the fog It becomes a guerrilla war. 489 00:58:35,672 --> 00:58:40,298 Sensei keeps his troops ready, even when visibility is zero. 490 00:58:40,927 --> 00:58:44,342 As soon as the time is clear, start recording. 491 00:58:44,680 --> 00:58:46,222 Sometimes he improvises... 492 00:58:46,389 --> 00:58:49,840 making the fog pass by smoke on a clear day. 493 00:58:50,393 --> 00:58:53,014 He shapes his film based on of the abrupt behavior of time. 494 00:58:53,062 --> 00:58:54,520 Like a sculptor. 495 00:59:59,533 --> 01:00:01,193 To their positions. 496 01:00:03,787 --> 01:00:04,818 Ready! 497 01:00:05,872 --> 01:00:07,117 Action! 498 01:00:39,024 --> 01:00:40,816 That's right, all in unison. 499 01:00:41,235 --> 01:00:42,479 Let no one enter at the wrong time. 500 01:02:02,218 --> 01:02:03,463 There we go. 501 01:02:04,095 --> 01:02:05,886 - Everything ready? - Yes. 502 01:02:07,848 --> 01:02:08,879 Ready! 503 01:02:10,976 --> 01:02:12,007 Action! 504 01:02:14,020 --> 01:02:15,051 Horses! 505 01:02:30,242 --> 01:02:33,112 And finally, the fog gives up. 506 01:02:33,995 --> 01:02:35,026 Ready! 507 01:02:35,371 --> 01:02:36,485 To their positions. 508 01:02:38,081 --> 01:02:39,113 Action! 509 01:02:45,379 --> 01:02:46,410 Go ahead! 510 01:02:47,256 --> 01:02:48,631 Ready! 511 01:02:50,592 --> 01:02:51,623 Action! 512 01:03:18,907 --> 01:03:20,365 The sun shines again. 513 01:03:20,492 --> 01:03:23,860 Sensei's assistants paint colored lines in the reflectors. 514 01:03:24,328 --> 01:03:26,819 He has invented this process that makes it possible to project... 515 01:03:26,872 --> 01:03:30,121 in each character a recurring luminosity. 516 01:03:31,251 --> 01:03:34,037 These latest preparations They are to assault the third castle... 517 01:03:34,086 --> 01:03:36,328 with the troops of the two brothers. 518 01:03:36,713 --> 01:03:38,871 A final scene with a lot of noise, fury... 519 01:03:39,299 --> 01:03:43,082 and chaos that gives the movie his name: "Ran." 520 01:03:43,219 --> 01:03:48,509 CHAOS 521 01:04:42,268 --> 01:04:45,019 Like every day, the white Mercedes leaves Sensei... 522 01:04:45,062 --> 01:04:48,228 at the doors from the first castle at 10 a.m. 523 01:04:49,274 --> 01:04:51,017 Now he is happy. 524 01:04:51,359 --> 01:04:53,315 Even the fog is on your side. 525 01:04:53,736 --> 01:04:57,733 Once again, I will climb the slopes of Mount Fuji. 526 01:04:59,115 --> 01:05:02,649 Once again, I will describe with horses the internal confusion... 527 01:05:02,701 --> 01:05:05,274 that torments the soul of ancient Japanese warriors... 528 01:05:05,329 --> 01:05:07,036 that fascinated him so much. 529 01:05:08,081 --> 01:05:10,951 We must imagine Sensei happy. 530 01:05:15,921 --> 01:05:17,296 Good morning! 531 01:05:20,633 --> 01:05:25,128 The warriors of yesteryear They adopted the Zen philosophy... 532 01:05:26,638 --> 01:05:32,889 because it taught them to face death with composure. 533 01:05:33,060 --> 01:05:37,436 They had to maintain that composure in all aspects of your life. 534 01:05:37,689 --> 01:05:41,638 Furthermore, at that time, Zen It also had a martial application. 535 01:05:44,069 --> 01:05:47,402 It was different from the concept which is fashionable today. 536 01:05:47,822 --> 01:05:50,822 His teachings They were much more practical. 537 01:05:51,367 --> 01:05:54,284 When you read the writings of the scribes of the time... 538 01:05:54,786 --> 01:05:56,577 you realize that They were not ordinary people. 539 01:05:57,288 --> 01:05:59,577 It was a world of betrayals. 540 01:05:59,832 --> 01:06:04,826 It sure was very hard. live in that time. 541 01:06:05,754 --> 01:06:10,415 They were all cultured and well educated. 542 01:06:11,633 --> 01:06:13,709 You can tell by his writings. 543 01:06:19,390 --> 01:06:21,963 I'm going to give you a series of orders. 544 01:06:23,185 --> 01:06:25,473 From "forward" to "stop." 545 01:06:25,979 --> 01:06:27,521 Pay attention, please. 546 01:06:29,106 --> 01:06:31,679 Jiro's army! 547 01:06:32,401 --> 01:06:34,060 Second Lancers, forward! 548 01:06:35,695 --> 01:06:37,853 Everyone respond to my signal. 549 01:06:38,406 --> 01:06:39,520 Charge! 550 01:06:40,491 --> 01:06:44,867 One, two... left, right, left, right... 551 01:06:45,245 --> 01:06:48,695 Without missing a beat... left, right, left... 552 01:06:49,081 --> 01:06:51,239 Battalion! 553 01:06:52,751 --> 01:06:53,865 Stop! 554 01:06:57,004 --> 01:07:00,871 It turned out very well for you. 555 01:07:37,496 --> 01:07:42,490 The flag battalion Enter after the cavalry. 556 01:07:42,709 --> 01:07:43,740 To order. 557 01:07:47,296 --> 01:07:50,000 Don't let them move the tips of the banners. 558 01:07:50,424 --> 01:07:52,914 I know it costs, but keep them still. 559 01:08:40,715 --> 01:08:44,250 Shin, where are the filters? 560 01:09:03,192 --> 01:09:04,223 Ready. 561 01:09:06,320 --> 01:09:08,111 We repeat! 562 01:09:08,822 --> 01:09:10,980 Return to your posts! 563 01:09:47,187 --> 01:09:49,594 Is the smoke team ready? 564 01:09:50,732 --> 01:09:52,689 There will be no need for smoke in the back! 565 01:09:52,900 --> 01:09:55,189 Don't blow smoke back! 566 01:09:55,527 --> 01:09:57,816 Why don't they follow orders? 567 01:09:59,781 --> 01:10:03,399 We just need smoke on this side. There is no need in the back. 568 01:10:20,340 --> 01:10:21,371 Ready! 569 01:10:25,219 --> 01:10:26,250 Action! 570 01:10:54,326 --> 01:10:55,441 Time to eat! 571 01:10:55,661 --> 01:11:00,037 We have finished the shot. We will continue after eating. 572 01:11:03,917 --> 01:11:05,577 It's 7-1-0. 573 01:11:06,503 --> 01:11:09,836 No, wait. It's 7-0... 7-1-6. 574 01:11:10,256 --> 01:11:13,375 It has a built-in computer. 575 01:11:13,717 --> 01:11:14,748 In those cases... 576 01:11:15,177 --> 01:11:19,126 has a point that sticks out on the coil... 577 01:11:46,119 --> 01:11:50,496 Show what you want to see It is the essence of cinema. 578 01:11:50,831 --> 01:11:53,748 But people have forgotten. 579 01:11:54,167 --> 01:11:55,959 In the case of theater... 580 01:11:57,170 --> 01:12:00,005 the curtain falls in the moments transition... 581 01:12:00,381 --> 01:12:02,457 and hides what happens behind. 582 01:12:02,925 --> 01:12:05,759 It is normal, because the scenario limits your capacity for action. 583 01:12:05,927 --> 01:12:07,801 But in the cinema it is different. 584 01:12:08,137 --> 01:12:09,797 The camera can go everywhere. 585 01:12:10,431 --> 01:12:13,965 It has such a powerful ability. 586 01:12:37,537 --> 01:12:38,568 Ready! 587 01:12:40,247 --> 01:12:41,278 Action! 588 01:13:11,732 --> 01:13:12,763 Cut! 589 01:13:13,692 --> 01:13:15,150 Cut! 590 01:13:17,570 --> 01:13:19,028 Has a horse fallen? 591 01:13:21,740 --> 01:13:23,199 Cut! 592 01:13:23,700 --> 01:13:25,408 Slow down little by little.